15 paintings of September - #3

Landscape #3 - "Summer slim"

"Summer slim" (acrylic on canvas; 12"x12")

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15 paintings of September - #2

Here is the second landscape - "Guardians":

"Guardians" (acrylic on canvas; 12"x12")

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15 paintings of September - #1

Last September I participated in the worldwide art Challenge "30 Paintings in 30 Days". While my little baby was sleeping I was able to complete 16 drawing and paintings. All of them were from 6"x6" to 6"x8" (approximately 15cm x 15cm and15cm x 20cm, respectively) in size. I learned a lot from that challenge, especially how to be and stay organized. It was also a great boost of my painting and drawing skills and I was committed to work every day. I was excited in the beginning, tired in the middle and had a breakthrough at the end which made me look critically on my painting process and myself as an artist.
This year I'm going to make September an intensive-painting month again. I decided to paint 15 paintings but larger size - mostly from 8"x8" to 12"x12" (approximately 20cm x 20cm to 30cm x 30cm, respectively). I also chose landscape as a main theme to follow during the Challenge.

So, here is the first painting - "Summer Day":

"Summer Day" (acrylic on canvas; 12"x12")

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From a photograph to a painting

Several weeks ago one of my friends posted a photograph which spoke to me and inspired me for a painting. It had a special end-of-the-day feeling (Oh, I love sunsets so much!)

Photography by Olga Pasikova

What I liked about this picture was:

1) the landscape;

2) the evening light;

3) the atmospheric feeling;

4) the tree (which looks like it's dancing).

First thing I wanted to change was the size of the image - instead of square I chose portrait layout (14"x11"). The reason for that is to improve composition (which I still had to correct later while painting).

    

Also, I wanted to paint the sky with fewer clouds to show the blue colors of the evening sky and half-transparent evening moon (shown below). I always start with the sky as it serves me as a background; then I paint everything else: trees in the background, a house, road curve...

 Next, the "dancing tree": I started with the trunk and branches carefully choosing the colors to show the sun lit parts and shadows.

 Covering the tree with leaves I kept in mind that I wanted the sky to be visible through the leaves. For sunlit leaves I used Cadmium Yellow Deep Hue and Light Yellow.

 Once I was able to see how the layout of the leafage, I painted the moon. I also decided to make the house roof red which didn't satisfy me at all. I saw a problem with the composition: the roof was aligned with the tops of the trees making a one boring line. And no matter what color the house is, there still would be feeling that something is wrong with the painting. 

 So I decided to break that horizontal line by turning and changing the house completely. I also added some puddles on the road to connect the blue sky to the green foreground. It still did not satisfy me and I put off the painting for several days...

 

Every time I passed by the painting I was thinking about what to do to bring harmony to the visual image. I liked the tree, sky, the moon, just the awkward house would not sync in.

So I decided to paint not a house but an old weathered barn to stress the feeling of the coming to an end day. As for the composition, I painted the barn and the a small structure in the shadow on the side as well as a wood wheel to create a diagonal line crossing the horizontal and vertical ones which made the painting look more interesting. And here is the final result - "Lost in time" (acrylic on board; 14"x11")

Process of painting flowers

It's been a great summer full of events, beautiful moments and inspiration for painting!

While away from my studio for several weeks, I  continued to work and was able to finish two floral paintings - "Poetry of flowers" with beautiful hydrangea in a white pitcher and "Peony cloud" with light pink peonies that I'm so crazy about. Both flowers are growing in my mother's garden and both my mother and grandmother take care of them so every year they bloom bigger and better than before.

I love flowers and painting them brings me lots of joy, however they are challenging to paint and every time I struggle with some details. Despite my wish to paint more expressively, I find it hard to go away from painting details in realistic manner. But I'm trying and I think that with the second painting "Peony cloud" I was able to leave some detalization out and made it more loose painting. 

 



The short clips below show the development of the paintings:

The Artful Piano project

It's been a while since my last post: lots of projects and my son require so much time... Finally, I got some time to write about one interesting project I participated in in March and April called "The Artful Pianos Project" sponsored by the City of Newton. 

Piano to be painted over

Nine pianos were placed around the city in April and many events are happening around them during the Spring Art Festival. One of the pianos was painted by several Newton Art Association artist members including me! 

My part was the right side of the piano where I have painted a beautiful garden statue of a young woman among roses. I also chose to paint roses on the back of the piano. The project was challenging as I have never painted on a musical instrument before: the surface is so different from canvas or paper; especially the multi-surface back of the piano. Painting almost life-size statue was testing my skills; this was a really great experience which made me get out of my comfort zone and work harder.

Work in progress - right side of the piano

Work in progress - back side of the piano

 

The "Garden of Musical Delights" is now finished! The piano is placed near the Waban Library. Here you can find a brochure with the full details about the events that are going to happen with the piano.

I'm happy I was invited to participate in this extraordinary project! I hope that my statue and roses painted on the side and the back of the piano will be delight to all the visitor's that stop by.

 

 

 

 

 

Sketches of MIT

Recently I was asked to paint MIT Dome with the front garden. I wanted to do some watercolor studies on location but chilly weather made me take reference photographs and complete the sketches in my studio instead. The trees are still naked here in Boston and it's a month or so until the cherry trees start blooming; so I had to imagine how the late spring would look like.
Here are the three studies I did; they can be bought at $25 each.

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